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On Imtiaz Ali's Jab We Met

Jab We Met is a poetry. The metaphor is that the train symbolises the way of life. There are two passengers, two ways of life and the movie is of two halves. In the first half, we fall in love with Geet, who is a bubbly, young, carefree girl trying to live life as it comes by following her heart. Everything works fine for her that way, till the beginning of the second half.  Aditya is depressed with his life; he does not know what he is seeking but the moment he understands Geet and her world, he gets his answer - C'est La Vie. The second half makes life easier for Aditya who learned to live life to the fullest from Geet. Taking decisions at his family business by following his heart makes his company witness success that it had never seen before. The movie has a connect and the connector is Geet. She is so full of life that after the first half, I wished that their journey from Mumbai to Bhatinda had a little more show time. There is a sweet scene in the second half ...

On Ritesh Batra's The Lunchbox

They say that the way to a man’s heart is through his stomach. They say it right – I agree with them and Mr. Sajan Fernandes too will agree with them. But Mr. Fernandes has nobody who will want to reach his heart through his stomach. He eats alone; travels alone; works alone and stays alone. He unintentionally glances out at his saamne wali khidki every night after eating home delivered food while he smokes a cigarette from his balcony. That family dines together every night with children running here and there; loud discussions and noise all over. There is a small girl who notices Mr. Fernandes and closes windows. Mr. Fernandes’ house is exactly opposite of them – yes literally too. Meri Ammi hamesha kaha karti thi ke kabhi kabhi galat train bhi sahi jaga pohocha deti hai, says Sheikh who has been newly recruited to replace Mr. Fernandes who Is about to retire in a month. When Mr. Fernandes gets a delicious  dabba one fine day, he goes and praises the hotel guy who...

On Ram Gopal Verma's Sarkar

A movie goer’s perception of Ram Gopal Varma is no more like it was a few years back. A decade ago he made Sarkar. I wanted the Govinda Govinda theme to start playing as soon as I said ‘Sarkar’ in the previous sentence. This tune holds up the omnipotence of Sarkar throughout the movie. Theme songs have always worked in favour of the characters. The theme which plays whenever Maaya bhai and his gang emerges out a winner in Shootout At Lokhandwala or the theme tune in Guru which worked wonders to emphasize Gurubhai's control on the situation in those scenes where the tune was used. RGV is known for crime based movies like Siva, Satya, Shool and Company. He credits Sarkar as a tribute to the classic film - The Godfather. If Mumbai ka king kaun?.. Bhiku Mhatre is the man who lives life to the fullest for himself, Sarkar is people’s man just like Sultan Mirza but not the one who says Dua me yaad rakhna ; Sarkar says, Me kisiko sochne se nahi..karne se rokta hu - such is the ...

On Shoojit Sircar's Piku

Bhaskar or rather   Bhaashkor   is a constipated old man who feels that there definitely could be something medically wrong with him due to his old age. He makes Piku check his blood pressure whenever he gets angry – Even when he is asked to do normal blood tests; he checks reports for other body functions too, just to be sure.   He brazenly talks about constipation every time, which annoys Piku and often spoils her public image. Piku is not a vaargin; she is sexually and financially independent -as Bhaskar describes her in front of an almost stranger in a party. He reasons Piku not to get married because women who get married and serve husbands are of low IQ. Rana Chaudhary is the owner of a travel agency who provides permanent cab services to the firm where Piku works. He has his own life problems – his mother, his sister and Piku. Piku often gets late due to Bhaskar’s tantrums and hurries the drivers to speed up, eventually ending up with an accident...

On Anurag Kashyap's Bombay Velvet

An anti-hero and his side kick, a rich and powerful antagonist, a glamorous heroine and a rags to riches story. This is not about the angry young man of the 70s; it is about the new angry young man - Ranbir Kapoor – I am Johnny Balraj, nice to meet you..   The remarkable and vivacious sets recreate Bombay from the 60s and the 70s and make you go for a ride down the lanes of Bombay in style. The amber colour tint to the film brings back the Eastmancolor era.  The classic vintage cars, smoking pipes, double decker buses with monkey brand advertisements, almost empty streets and Amit Trivedi’s jazzy music score only add to the detailing required for a period film. Anurag  Kashyap’s Bombay Velvet is more than just a typical rags to riches story. The story details on how Bombay was reclaimed from the ocean. The seven islands in Bombay were bought together by the then influential people of Bombay.  Jimmy Mistry and Kaizad Khambatta are media kingpins who ar...